Burnett Guffey American cinematographer
Burnett Guffey is a 78 years old American cinematographer from Tennessee. Burnett Guffey was born on May 26, 1905 (died on May 30, 1983, he was 78 years old) in Tennessee.
About
No, he died on 05/30/1983, 40 years ago. He was 78 years old when he died. He died in Goleta
Works
Burnett Guffey Movies (73)
There are 73 movies of Burnett Guffey.
His first feature film was Bonnie and Clyde (1967). He was 62 when he starred in this movie. Since 1967, he has appeared in 73 feature films. The last one is Where It's At (1969). .
View all Burnett Guffey movies.
Burnett Guffey movie characters
The names of the characters/jobs in the films he starred in are as follows:
| Character/Job | Movie | Age |
|---|---|---|
| Director of Photography | Bonnie and Clyde (1967) | 62 |
| Director of Photography | Birdman of Alcatraz (1962) | 57 |
| Director of Photography | The Harder They Fall (1956) | 50 |
| Director of Photography | In a Lonely Place (1950) | 44 |
| Director of Photography | From Here to Eternity (1953) | 48 |
| Director of Photography | All the King's Men (1949) | 44 |
| Director of Photography | Kid Galahad (1962) | 57 |
| Director of Photography | Human Desire (1954) | 49 |
| Director of Photography | The Reckless Moment (1949) | 44 |
| Director of Photography | Convicted (1950) | 45 |
| Director of Photography | King Rat (1965) | 60 |
| Director of Photography | The Sniper (1952) | 46 |
| Director of Photography | My Name Is Julia Ross (1945) | 40 |
| Director of Photography | Knock on Any Door (1949) | 43 |
| Director of Photography | The Violent Men (1955) | 49 |
| Camera Operator | The Informer (1935) | 29 |
| Director of Photography | The Undercover Man (1949) | 43 |
| Director of Photography | Decision at Sundown (1957) | 52 |
| Director of Photography | The Silencers (1966) | 60 |
| Director of Photography | Scandal Sheet (1952) | 46 |
| Director of Photography | They Came to Cordura (1959) | 54 |
| Director of Photography | Gidget (1959) | 53 |
| Director of Photography | Good Neighbor Sam (1964) | 59 |
| Director of Photography | Nightfall (1956) | 51 |
| Director of Photography | Johnny O'Clock (1947) | 41 |
| Director of Photography | Assignment: Paris (1952) | 47 |
| Director of Photography | Mr. Sardonicus (1961) | 56 |
| Director of Photography | The Ambushers (1967) | 62 |
| Director of Photography | The Brothers Rico (1957) | 52 |
| Director of Photography | Homicidal (1961) | 56 |
| Director of Photography | How to Succeed in Business Without Really Trying (1967) | 61 |
| Director of Photography | Sirocco (1951) | 46 |
| Director of Photography | The Split (1968) | 63 |
| Director of Photography | The Madwoman of Chaillot (1969) | 64 |
| Director of Photography | Tight Spot (1955) | 49 |
| Director of Photography | The Great White Hope (1970) | 65 |
| Director of Photography | Count Three and Pray (1955) | 50 |
| Director of Photography | Night Editor (1946) | 40 |
| Director of Photography | The Strange One (1957) | 51 |
| Director of Photography | Edge of Eternity (1959) | 54 |
| Director of Photography | Framed (1947) | 41 |
| Director of Photography | Private Hell 36 (1954) | 49 |
| Director of Photography | I Love a Mystery (1945) | 39 |
| Director of Photography | Flight from Ashiya (1964) | 58 |
| Director of Photography | So Dark the Night (1946) | 41 |
| Director of Photography | The Learning Tree (1969) | 64 |
| Director of Photography | Suppose They Gave a War and Nobody Came? (1970) | 65 |
| Director of Photography | Some Kind of a Nut (1969) | 64 |
| Camera Operator | The Conquerors (1932) | 27 |
| Director of Photography | Battle Stations (1956) | 50 |
| Director of Photography | Halls of Anger (1970) | 64 |
| Director of Photography | Storm Center (1956) | 51 |
| Director of Photography | Two of a Kind (1951) | 46 |
| Director of Photography | Three Stripes in the Sun (1955) | 50 |
| Director of Photography | Me and the Colonel (1958) | 53 |
| Director of Photography | The Last Posse (1953) | 48 |
| Director of Photography | To the Ends of the Earth (1948) | 42 |
| Director of Photography | The Bamboo Prison (1954) | 49 |
| Director of Photography | The Mountain Road (1960) | 55 |
| Director of Photography | Father Is a Bachelor (1950) | 44 |
| Director of Photography | The Sign of the Ram (1948) | 42 |
| Director of Photography | Screaming Mimi (1958) | 53 |
| Director of Photography | Hell to Eternity (1960) | 55 |
| Director of Photography | Eadie Was a Lady (1945) | 39 |
| Director of Photography | Let No Man Write My Epitaph (1960) | 55 |
| Director of Photography | Cry for Happy (1961) | 55 |
| Director of Photography | The Soul of a Monster (1944) | 39 |
| Director of Photography | The Family Secret (1951) | 46 |
| Director of Photography | The True Story of Lynn Stuart (1958) | 52 |
| Director of Photography | The Steagle (1971) | 66 |
| Director of Photography | Emergency Wedding (1950) | 45 |
| Director of Photography | Dogface (1959) | 53 |
| Director of Photography | Where It's At (1969) | 63 |
Awards (2)
Awarded Academy Award for Best Cinematography, Black-and-White , awarded Academy Award for Best Cinematography ,
What was Burnett's zodiac sign?Burnett Guffey zodiac sign was gemini.
Other facts about Burnett Guffey
| Award | Academy Award for Best Cinematography, From Here to Eternity, Bonnie and Clyde (film) |
|---|---|
| Place of death | Goleta |
| Title | A.S.C. |
| Date of death | 1983-05-30T00:00:00Z |
| Given name | Burnett |
| Country of citizenship | United States Of America |
| Europeana entity | Agent/base/156947 |
